I was delighted to give the 15th Annual Robert Grant Lecture
on the topic Zoology and mythology:
looking at angels, fairies and dragons. Using a superficially light-hearted
approach, I examined the form and function of these three types of creatures
from a zoologist’s perspective, asking such questions as: What type of wings
did each creature have? How were the wings anchored in the skeleton? How were
the wings flapped (if they were flapped)? How were the flight muscles located
in the body? The lecture, while based on serious anatomical principles, was
really an investigation of the way we accept images showing angels with bird
wings; fairies with insect wings; and dragons with wings like those of bats. It
was a theme I had developed in an earlier essay, 1 where I also
discussed putti, such a feature of Italian Renaissance art. These human infants
have tiny bird wings that enable them to fly above the subject(s) shown in paintings,
gather on the ground near them, or look down from a high point in a room or building. To save
time, I omitted putti from the Grant Lecture and I’d like to return to them now
in a comparison with bumblebees; animals that also have small wings for the
size of their bodies.
Bumblebees only fly when their flight muscles are sufficiently
warmed up and, on cold mornings, this is achieved by “sunbathing” and, importantly,
by vibrating the flight muscles without flapping the wings. 2 This
is possible because the muscles used to power flapping flight are not attached
to the wing, but to the walls of the thorax, as is typical in advanced insects.
I am not going to give details of the flight mechanism here and, if you are
puzzled by the idea of indirect flight muscles, you will be astonished by the
role played by muscles and skeletal structures that allow the wings to be rotated
and moved forwards and backwards, all these being needed to generate lift and
propulsion.
We know much of the flight mechanism of insects as we can
study it directly and also make many measurements using sophisticated
contemporary techniques. It is only possible to speculate on how putti fly,
although their naked, often chubby bodies indicate that the generation of sufficient temperature
is not a problem. However, the size of their wings means that large volumes of
air need to be displaced rapidly and this can only be achieved by
exceedingly rapid wing beats. So rapid that the tip of the wing will move at
supersonic speed and feathers would likely be ripped to pieces. We must conclude therefore
that putti, like angels, fairies and dragons cannot fly using their wings and that the images we
have of these creatures are inventions. However, I was surprised to find this
image when searching on the internet:
Was this the wing of a putto mounted on a tailor’s dummy,
complete with wiring involved in the flight mechanism? I hope you will excuse
my little piece of fun in asking this question as this is indeed a bird wing,
but used in the unique jewellery of Julia de Ville
(http://www.juliadeville.com).
So, why did I write this blog post? Partly because I enjoy
whimsy and hope that readers do too, and partly to highlight that we can believe
some very strange things about the appearance of angels, fairies, dragons - and
even putti. We do this while largely ignoring the astonishing variety of form and
function of the real creatures that are all around us. Just looking at
bumblebee flight fills one with amazement at what has occurred in the evolution
of these insects, without even considering their mouthparts, vision, sense
organs, and many other aspects of their biology. It fills one with awe, whether
one is an atheist or of religious persuasion
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