Wednesday, 13 November 2019

Brixham, Turner and Gosse




The great artist J.M.W.Turner travelled widely throughout Great Britain, making sketches as he went. Two pages from his notebook of 1811 show Brixham harbour on the southern coast of Torbay, with its two piers and a number of boats, for this was a busy fishing port (see above). It was a time when the northern shores of Torbay were becoming fashionable, leading to the construction of many villas in Torquay in the middle of the nineteenth century. New residents were reminded of the French Riviera, enjoyed the favourable climate that was thought to be good for the health, and many were fascinated by the Natural History of the shoreline.

Philip Henry Gosse had this to say in 1853 about a visit he made to Brixham (he became a Torquay resident in 1857) [1]:

The little town of Brixham, pretty as it appears when viewed from Torquay, is but a sordid affair when you see it at hand. The lower town particularly is close, mean, and dirty; indeed, truth to tell, I saw refinements in filth here, which I had never the fortune to see paralleled in all my wanderings..

..The scenery on either hand, when once clear of the harbour, is bold and magnificent. The coast is rocky and precipitous, (the town itself appears strangely stuck upon precipices, reaching from top to bottom) and is indented with little coves, the most picturesque imaginable. Berry Head, a noble promontory of compact limestone, rears its lofty head abruptly out of the sea not far from the town, and forms a commanding boundary of the prospect, conspicuous all around..

..I did not obtain much in the way of natural history on the shore, except what I was already familiar with at Petit Tor [his favourite collecting spot north of Torbay]..

..I came home with little desire to see Brixham again.


Not kind words. It was the busy fishing harbour and the surrounding cottages that appalled Gosse and one surmises that he was complaining about the remains of fish and a lack of regard for surroundings that characterised fishing villages of the time. They were not genteel. In addition, decomposition of anything marine produces a very strong smell and that must also have affected his senses


Brixham is very different now. The two piers that Turner drew are still in place (see above), but the outer pier has been extended. Beyond that on the western shore is the modern fish market complex and to the east the breakwater that was begun after Turner’s time and completed in the early 20th Century. Also noticeable is the marina and that has promoted marinafication – an influx of wealth also found in other local ports, such as Salcombe and Dartmouth. Brixham seems “on the up” and I’m sure that Gosse would not find it as unpleasant should he visit today, although he may have something to say about the tourist attractions and tourist shops that also bring money into the town.

As to Natural History, visitors and residents like to see seals and occasional cetaceans, but there is a lack of awareness of most marine life. That is also quite a contrast to earlier times.


[1] Philip Henry Gosse (1853) A Naturalist’s Rambles on the Devonshire Coast. London, John Van Voorst.



Turner’s sketches are from the tate.org.uk website
The aerial view of Brixham is from englishriviera.co.uk website

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